THE DRUMS: LIVE AT W.I.P. 2.14

The Drums performed a 4 song set last night (Valentine’s day) at W.I.P. (short for Work-in-Progress & owned by the proprietors of the Greenhouse). We caught The Drums last at CMJ 2010 (Photos). Starting roughly an hour late a midst the bottle-service-heavy underground art house (even if a bit contrived), The Drums tore through perennial favorites such as “Best Friend” as well as their more current hit “Money” and the dancing made me really miss the days of Mondo at Don Hills.

Catch the photos from last night’s performance below.

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[photos: Cory Greenwell]

DOWNLOAD STARFAWN: GREENLIGHT [TEEEL REMIX]

Check out this dark disco remix of Starfawn’s “Greenlight” from Teeel.

Download a copy of Starfawn’s EP – available digitally now through Moodgadget, more info at moodgadget.com/starfawn/

Starfawn is a collaboration between Producer Misha Mross and Vocalist Amber Schaefer that began in early 2011. The two met through mutual friends and connected over a shared love for synthesizers and electronic music.

Misha Mross currently lives in Brattleboro Vermont and splits his time between his day job as an electro-optical engineer, writing music, and his musical engineering projects, which include building custom MIDI controllers and interfaces, and programming synthesis software. Influenced by both the organic (Vermont woods, classical music, physics, math) and the technological (NES/SNES, electrical engineering, synthesizer music), his production style, while heavily synth based, has natural motion and melody.

While Misha Mross is the technical expert of the duo, Brooklyn resident Amber Schaefer brings her natural charisma and song-writing abilities to the project. Amber tangibly brings her acting and improv background to their performances, cooing as she nonchalantly rolls around on the stage.

Together as Starfawn, they craft highly personalized electronic music that has been described as “an instantly recognizably retro, yet strange and otherworldly soundscape … that revels in experimentation while still understanding the importance of actually having a song amongst the indulgence.”

Beyond The Black Rainbow Trailer

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Set in the strange and oppressive emotional landscape of the year 1983,

BEYOND THE BLACK RAINBOW
is a Reagan-era fever dream inspired by hazy childhood memories of midnight movies and Saturday morning cartoons. We are hoping the transgressive mind-trip of a sci-fi throwback, lives up to it’s trailer, which looks like a cross between 2001: A Space Odyssey, A Clockwork Orange, Tron and Eternal Sunshine of the Spotless Mind. The film was spawned from the pre-teen fantasies of debut writer-director Panos Cosmatos and premiered at the 2010 Whistler Film Festival and showed at several film festivals throughout 2011, including Tribeca and Fantasia. The good folks at Magnet, the genre division of Magnolia Pictures are gearing up for a limited domestic theatrical release for the film.

Cosmatos was born in Rome in 1974 to the late Greek movie director (George Cosmatos) and a Swedish experimental artist mother. He spent his early formative years traveling all over the globe before settling in Canada. In 1981, the family lived for a year in Mexico where exposure to the strange local interpretations of American pop culture had a profound and lasting effect on his creative life. Growing up in the isolated suburbs of Vancouver Island during the 80s, he obsessed over the minutiae of heavy metal, fantasy art, and science fiction horror films, which he still does to this day. He then immersed himself in the underground art and music scenes making short films, album covers and music videos with a burgeoning group of influential and groundbreaking artists. Panos currently lives and works in Vancouver, British Columbia.

 

ADULTSWIM PRODUCED NEON INDIAN VIDEO: FALLOUT

The new video for Neon Indian‘s “Fallout” is an Adult Swim-produced cartoon directed by Lilfuchs. Paying homage to 80’s Saturday morning cartoons and sexy commercials, a scantily clad, pink maned, chill-wave Barbie cruises the scene in her 80’s convertible while paralyzing gas station workers with her gaze.

 

NEW VIDEO FROM THE BLACK KEYS: GOLD ON THE CEILING

The Black Keys Follow up their buzz-worthy viral video for “Lonely Boy”, with a new video for “Gold On The Ceiling” off of their late 2011 release, El Camino. The video, directed by Reid Long, keeps it simple, following the band through their recent world tour intertwining studio footage with clips of the band behind-the-scenes and performing on stage.

NEW MUSIC FROM LELAND SUNDRIES: APPARITION

Brooklyn’s indie strummers Leland Sundries’ 2nd release The Foundry EP is out Feb 21, 2012 on L’Echiquier Records. Led by Nick Loss-Eaton the EP was recorded in Greenpoint, Brooklyn in an old creamery building with Loss-Eaton on resonator guitar, banjo, harmonium, harmonica, and vocals.

The lead single “Apparition” is now available for free download.

NEW MUSIC FROM FUCKED UP: YEAR OF THE TIGER

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Toronto punks, Fucked Up are streaming their new 15 minute single “Year Of The Tiger” off  Year Of The __: a series of Chinese Zodiac singles. Every year, the band releases a track to celebrate a year on the Chinese calendar and this years track is highlighted by some prominent collaborators likes director Jim Jarmusch, electro pop band Austra, and Duchess Says leader Annie-Claude Deschênes.

RYAN ADAMS, CHILDISH GAMBINO + MICHAEL MCDONALD ON 30 ROCK

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Michael McDonald, Cee Lo, Ryan Adams and Childish Gambino (aka Donald Glover) share song cameos in this animated 30 rock webisode. Donaghy needs to find a Super Bowl halftime performer to replace an injured Madonna and the four singers must compete against each other, while singing NBC theme songs. Don’t miss the Michael McDonald Saved by the Bell theme cover.

STREAM AU PALAIS: TENDER MERCY

Stream the Tender Mercy EP from Toronto bred- now London based Au Palais.  On Tender Mercy, Brother and sister duo Elise and David Commathe have crafted a calm and cool collection of beat heavy, goth-pop tracks, shimmering with soaring vocals and elegant beauty.

A Look Inside the Bicycle Film Festival with Brendt Barbur

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Born in New York, The Bicycle Film Festival has evolved hand in hand with the unprecedented boom in urban cycling internationally. From its roots in New York City, The BFF has grown into a multi-faceted, global event that will travel to over 25 cities this year, from Milan to Tokyo, Minneapolis to Sydney. In 2001 Brendt Barbur, Founding Director, was compelled to start the Bicycle Film Festival after being hit by a bus while riding his bike in New York City. He was inspired to turn this negative experience into a positive one, and created a festival that celebrates the bicycle through music, art, and film. The festival merges many creative communities, including fashion, music and art, as well as various bicycling communities – road cycling, mountainbiking, fixed gear, BMX, cyclocross – over a shared passion for bike riding. Watch above as Discosalt goes inside The Bicycle Film Festival’s headquarters in New York with its creator Brendt Barbur.

NEW VIDEO FROM A PLACE TO BURY STRANGERS: SO FAR AWAY

A Place To Bury Strangers have just premiered the new video for their song “So Far Away”, created by band member Oliver Ackermann using a collage of his own photos. Using the iPhone application Hipstamatic, Ackermann got the idea after importing some photos from his phone to his computer & watching them flash in quick succession across the screen: “The pictures are all take with Ina’s 1969 Film with the iPhone application Hipstamatic. I did this because it is one of the most common ways photos are taken and shared at this moment in time. The photos were all taken since our van was stolen in Italy. Once I started importing photos and assembling them then I realized with a couple of the cool driving sequences that I shot I should shoot some things in an animation style. The story in the video is personal and reflective of our lives over the past year or so.”
A Place To Bury Strangers have also announced they will tour with The Joy Formidable across the US this Spring. The bands will start on the west coast with dates in San Francisco and LA before heading across the Midwest through to the East Coast & wrapping it up with dates in Montreal and Toronto. A full list with details is below. The dates will follow the release of their Onwards To The Wall EP, which is out on February 7 on Dead Oceans. The EP contains 5 brand new, face-melting tracks that explore the limits of loud.

WU-LYF: THE NEW CULT OF UNCONDITIONED YOUTH

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At a time when there’s an exhausted saturation of up and coming bands that are fighting tooth and nail for attention and yet are more disposable to fans than ever, Wu Lyf has been able to make a truly profound impression by moving to the beat of their own feral drum. They became a persistent itch cloaked in mystery by building their reputation on the idea that less is more. Then the ‘unconditioned youth’, as they call themselves, backed it up with a truly exciting album. I have to admit, as far as cults go; this one seems pretty damn good.

Find this full article in the new issue of discosalt Magazine  issue: VOL.01, ISSUE 02

NEW YOUTH ISSUE: The second issue of discosalt Magazine features art, music and film exclusives; new Fall music;  new sub-culture;  interviews;  album reviews and more.

COVER STORY: WU LYF And The new Cult of Unconditioned Youth

FEATURES: Reduce, Reuse, Recycle, Regret; No Shave November;  Inside the Bicycle Film Festival;  Front Stage Pass

EXCLUSIVE INTERVIEWS: Dragonslayer director Tristan Patterson; Take Away Show director Vincent Moonl;  Teeel,; Uk’s Life in Film;  urban artists Pam Glew; Bicycle Film Festival creator Brent Barber

WORK:  Spanish Photographer Ana Cabaleiro

CULTURE: Moped Revival, On Your Own: Teenage Bedrooms

ALBUM REVIEWS: We Were Promised Jetpacks; Atlas Sound; Ryan Adams

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Download a PDF version of discosalt Magazine to view on your computer.

Watch – First Day Of 2012 from Beanpole Productions

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A very short vid to welcome 2012 created by Beanpole Productions. Shot entirely on a Contour with underwater housing with music from Expensive Looks.

A TO Zeppelin: The Story of Led Zeppelin

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Get the Led out. One of the hardest rocking bands in musical history, Led Zeppelin crafted epic songs of grace and fury influenced by the American blues tradition. This insightful documentary chronicles the band’s history–from their 1968 formation to their reign as 1970s hard-rock giants–through rare photographs, archival footage, and interviews with both the band members and those who worked with them, including tour manager Richard Cole, record engineer Andy Johns, groupies Lori Mattix and Pamela Des Barres, and members of the Yardbirds, Vanilla Fudge, Bad Company, The Ramones, and Foreigner.

Watch the full film HERE

Watch more free documentaries

NEW TEASER VIDEO FROM 2FORJOY: CHOKE

Little is known about 2forJoy, apart from the fact she’s a London-based singer (that’s all, actually).  ‘Choke’, is the teaser video from the new artist and collaboration with filmmaker Annick Wolfers. The video is the first in a series being released in the run-up to the official 2forJoy launch in the Spring of 2012.

NEW MUSIC FROM SAVIOR ADORE: DREAMERS

Never underestimate the power of a dare. What originally began as a 48-hour challenge between two best friends has blossomed into one of Brooklyn’s most exciting and unique young bands- Savior AdoreWith an experimental approach to their writing and recording, Paul Hammer and Deidre Muro weave a magical musical tapestry with their distinct voices, lush harmonies, and wild sonic palette. Somewhere between dream pop and adventure wave, their songs transport you to a world that is both foreign and warmly familiar.

Savior Adore recently released the track “Dreamers” on limited 7″ via Neon Gold Records with a remix from Lightwaves and Xaphoon Jones.>Give a listen the Lightwaves, remix below:

MP3: “Loveliest Creature” (Lightwaves Remix) – Savoir Adore [exclusive]


 

Discosalt Holiday Mix : Volume 2

The holidays just wouldn’t be the holidays without some cheesey Christmas music. Like last year, we thought it would be fun to compile a list of holiday and winter themed favorites, to keep your holiday party going well into the New Year. So gather ’round the warm glow of your computer screen; the music player is loaded up with new indie holiday tracks and some old staples from artists like Atlas Sound, Summer Camp, Florence and the Machine, Arcade Fire, Johnny Cash and Tom Waits.  Happy Holidays from discosalt!

Click To Listen to VOLUME 1.

* note: some songs on the second half of the player may take a minute to load.

PREVIEW JONSI’S SCORE FOR CAMERON CROWE’S NEW FILM

Icelandic guitarist and solo artist Jónsi (SigurRós) is no stranger to film score (Vanilla Sky). Most recently, the artist got the opportunity to provide the soundtrack for an upcoming Cameron Crowe film, We Bought A Zoo, starring Matt Damon and Scarlett Johansson. The soundtrack is composed of fourteen Jónsi tracks, two are completely new pieces, nine shorter “theme” pieces, and reimagining’s of songs from Jónsi’s debut solo album “Go.” It also includes “Hoppípolla” a track by Jónsi’s band SigurRós. The album will be available for purchase Dec. 13 and is currently streaming on RollingStone.com. Click HERE to listen.

NEW VIDEO FROM THE VACCINES: TIGER BLOOD

The Vaccines recently went into the studio to record with Albert Hammond Jr. of The Strokes and Gus Oberg. The product of that session is the band’s latest track “Tiger Blood.”  Watch the official new video for the track right here. “Tiger Blood” and The Vaccines b-side “Tuck and Roll” will be available digitally December 13th on Columbia Records. The band are currently on tour in Europe through the end of the year. For more on The Vaccines visit: http://www.thevaccines.co.uk Winning!

Q + A: THE ANTLERS

This week, Discosalt caught up with Darby Cicci; the keyboard, trumpet, banjo contingent of Brooklyn band – The Antlers,  to discuss life on tour, duck sex, zombie heads and their most recent album Burst Apart.

DISCOSALT: What have you been up to today?
DC: I sat in the van for 3 hours on the way from Manchester to Glasgow, during which time,  I watched Dario Argento’s horror film Tenebrae. We also went to the best highway stop in the world – near the border of England and Scotland.  It has an amazing selection of lamb and deer meat products!  I also watched (and filmed) some ducks mating…

DS; Duck porn? That could be an untapped market to get into, that is, if the band gets tired of recording albums. Speaking of which, congrats on your most recent album Burst Apart. We have it on heavy rotation. It’s much more up-tempo than Hospice, and surprisingly more electronic. How would you describe the album?
DC: It’s kind of like those ducks,  who were dunking each other under the water in their act of sexual intercourse. That’s the way they mate I guess, by hopping up and down on one another. Afterwards, they didn’t seem to want to get anywhere near each other. Hospice is sort like, if the ducks needed to stay together out of guilt, and Burst Apart is more like, what actually happened. They’re both about different kinds of relationships.

DS: “I Don’t want love” is such a powerful song, both musically and lyrically. Is there a story behind the song?
DC: No story, really. It started out as this uplifting, triumphant song that kinda sounded like it could be an Olympics theme or something. That’s was the working title actually: “Olympics” (All our songs have ridiculously stupid working titles). Later it got changed to “Old limp dicks,” which sounds like “Olympics”,  if you say it out loud.

DS: Old-Limp-Dicks… Old-Limp-Dicks… O-Lympics! You are right! That’s a good one to remember to shout out loud on tour, I bet. And the band has been touring a lot this past year. Do you have a best friend on tour?
DC: It’s basically a constant struggle to stay at peace with yourself; try not to let exhaustion and emotions get the best of you. It’s impossible to live a normal life when you’re on tour for 7 months out of the year. Learn to accept your own insanity and have fun with it. I watch a lot of horror movies. When I’m on tour,  I feel a bit like a serial killer who is on the run; kinda separated from society, except for intense moments of human interaction. Those moments would be shows. Otherwise, it’s just: van, hotel, highway stop, dressing room. Not a lot of normalcy.

DS: Since on tour, have you found a favorite spot to play in? Do you prefer playing the clubs or music festivals more?
DC: I like both, for different reasons. Venues of course are more comfortable,  and you always have time to sound check and fix equipment, and sit around and play on the internet. Festivals are more fun…more lively, but generally require a little more frantic loading of gear, and more stressful situations.

DS: Last year, you had a chance to tour with one of my “other” favorite Brooklyn bands, The National. Can you tell what the tour was like?
DC: The National completely rule. They’re incredibly nice guys; really organized, and the band and crew are extremely professional. I wish every tour was like our two with them. I’m a huge fan of their music, and I watched them every night without fail. We got to play some of the most beautiful venues I’ve ever performed in. It was an experience I will always remember.

DS: If you could have a free pass to one music festival, which one would it be?
DC:  Primavera in Barcelona is pretty special. We haven’t been to Coachella yet, but I hear it’s pretty cool. I really loved Pitchfork festival a few years ago. Really hope we get invited back to that one at some point. Some of the best festivals are the really small 2 stage festivals throughout Europe. They just feel really local, with tons of character and local flavor. And they always have great food.

DS:  When you are moody, do you have a “go-to” song that cheers you up?
DC:  [Wilco’s] Yankee Hotel Foxtrot has always been a “go-to” calming record for me. Or, [The Beach Boys] Pet Sounds. Or,  anything from Au Revoir Simone. Or, anything from Elliott Smith or Bjork. A lot of times,  I just drink and watch horror films. Watching zombies get decapitated always cheers me up.

DS:  Nothing like a decapitated zombie head to scare the tears away.  Now that we are toward the end of this year, what have been your  favourite albums of 2011?
DC: I would say St. Vincent, Bjork, Braids, Modeselektor, Youth Lagoon, Phantogram, Gil Scott Heron & Jamie xx. Fuck,  there are too many. I’m really not good at picking favorites; they’re just too different.

DS:   Is there any band you would like to collaborate with in the future?
DC: Modeselektor.

DS: If you were in  a band from seventies or eighties, who would it  be?
DC: Maybe, Depeche Mode. Maybe, Stone Roses. Or, any band with a lot of “synths”. Maybe Phil Collins and I would have gotten along?

-Hayalsu Altinordu